Facing the Camera
de Marshall Harrington
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While searching through a collection of images I was struck by those where the subject was looking directly into the lens. Facing the camera head on. If there are any rules in photography, one of them is that looking into the lens is expected, and should be avoided. It’s cliché, simple, and boring. But as I’ve looked at these images I’m intrigued by their simplicity. I want to say that I’m drawn closer to each subject by the eye contact as I would be in real life. The awareness of each subject’s connection to his or her audience intrigues me.
Making photographs of people is different every time. You could photograph the same person two days in a row and each group of images would be different. Everyone reacts to the camera in different ways. Every sitting is a unique experience. Some people are really shy and some are used to being in front of an audience and it comes easy. Whether the images are for professional use or just snap shots doesn’t really matter in the end as to their ability to communicate. Both have different audiences and both are equally valid.
Making photographs of people is different every time. You could photograph the same person two days in a row and each group of images would be different. Everyone reacts to the camera in different ways. Every sitting is a unique experience. Some people are really shy and some are used to being in front of an audience and it comes easy. Whether the images are for professional use or just snap shots doesn’t really matter in the end as to their ability to communicate. Both have different audiences and both are equally valid.
Características y detalles
- Categoría principal: Fotografía artística
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Características: Cuadrado pequeño, 18×18 cm
N.º de páginas: 80 - Fecha de publicación: jun. 16, 2009
- Palabras clave marshall harrington, portfolio. collections, people, faces, portraits
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Marshall Harrington Photographer
San Diego
Marshall Harrington’s photography is characterized by his persistence in creating images that have strong story-telling components and that make rich use of meaning and symbolism. He adheres to this disciplined approach, whether the project at hand calls for a single photograph or a library of photographs, to create powerful visual statements that generate an emotional bond with the target audience and successfully convey the essence of a brand.