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Text by Paz Puente Greene
Every photograph is the humbling proof that no matter how blissed the
capture may be, our capacity to see will always be hopelessly flawed
and limited.
Taking a photograph is the silent acceptance of a borrowed spiritual
gift, it reveals the true dimensions of inner space, the ability and
the willingness to welcome what really is, not what appears to be.
Every photograph is a mysterious and kind deed tattooed on the
unexposed film or memory card that turns to be the photographer's
soul in a given moment.
That's why being a photographer requires much more than a Japanese
passport, the ownership of an expensive camera or the compulsive drive
to store personal memories in an album or a computer folder.
Every photograph is the humbling proof that no matter how blissed the
capture may be, our capacity to see will always be hopelessly flawed
and limited.
Taking a photograph is the silent acceptance of a borrowed spiritual
gift, it reveals the true dimensions of inner space, the ability and
the willingness to welcome what really is, not what appears to be.
Every photograph is a mysterious and kind deed tattooed on the
unexposed film or memory card that turns to be the photographer's
soul in a given moment.
That's why being a photographer requires much more than a Japanese
passport, the ownership of an expensive camera or the compulsive drive
to store personal memories in an album or a computer folder.
Características y detalles
- Categoría principal: Fotografía artística
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Características: Apaisado grande, 33×28 cm
N.º de páginas: 80 - Fecha de publicación: sep. 05, 2008
- Palabras clave txema rodriguez, fine art photography, black and white, borrowed mercies, madrid, london, spain
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